Elisabeth Rappe
Denver, Colorado - http://
Hold up your badge. That's how they know you're a policeman.
Serious Scores: 'Aguirre: The Wrath of God'
Filed under: Music & Musicals, Fandom
We're doing something crazy, and launching another little series here on Cinematical: Serious Scores. You're a smart bunch, so I imagine you've already figured out that the goal isn't to highlight our favorite bank heists, but to praise the creme de la creme of cinema's soundtracks. Hopefully, you'll find something new for your iPod, rediscover a lost favorite, or appreciate a piece along with us. Technically, Werner Herzog's Aguirre: The Wrath of God doesn't have an official soundtrack. The entire score was recorded by the German progressive band Popol Vuh (the first of many collaborations they did with Herzog), and was released as an album in 1975, with a 2004 re-release. Only two tracks were actually used in the film: Aguirre I and Aguirre II. If you disdain the rest of their Krautrock, the magic of iTunes and Amazon allows you to buy them individually. Now you can put them on a playlist, set them to repeat, and go as mad as Aguirre himself.
Hints of madness aside, Aguirre I and II are pretty incredible pieces of music and were raved about in the 1970s. I think the music is just as powerful today, even if Moog synthesizers seem to have fallen out of favor. It's hypnotic and eerie, and so very evocative of that torpid jungle journey. Never have native panpipes sounded as frantic and terrified. I've embedded Aguirre I below the jump, but I highly recommend spending the $0.99 so you can download it to something hand-held and listen to it in the dark.
Michael Fassbender Goes From One Bronte To the Next
Filed under: Classics, Drama, Independent, Romance, Casting, Mystery & Suspense, Focus Features, Newsstand
The Brontes are all the rage for adaptation right now. It's undoubtedly due to Edward and Bella bestowing their favor on Wuthering Heights, and had they chosen Great Expectations, perhaps we'd see Dickens adaptations flinging themselves to the big screen. I love corsets and cravats, so I'm not going to complain, and I'm certainly not going to whine if Cary Fukunaga gets this cast for Jane Eyre. Variety is reporting that Michael Fassbender and Mia Wasikowska are in talks to play Jane and Rochester for Fukunaga, and oh, how torrid it would be!This is actually the second time Fassbender has circled a Bronte adaptation. Last May, he was said to be in talks for Wuthering Heights, but Ed Westwick stepped into that particular waistcoat. It's a shame. I think Fassbender would have made an excellent Heathcliff, and may have been the first one to actually snarl, bang his head against a tree, and slap people convincingly. But he will make a very simmering Rochester, and is the only actor who could top Toby Stephens' wonderful turn in 2006.
Wasikowska is still a bit of a dark horse. She's becoming one of those much-discussed names, but most of us have yet to really meet her until Tim Burton's Alice in Wonderland hits theaters. She's very pretty, but is just "ordinary" (if that doesn't sound too terrible) enough to fit the part of plain Jane, and as an Aussie, she'll be able to turn on an English accent better than Ellen Page. If this is the Jane Eyre that makes it to the screen, I'll be happy. Let the eerie screams, mysterious fires, and lingering looks commence.
Sam Worthington Gets Gritty in 'American Crime'
Filed under: Action, Sci-Fi & Fantasy, Thrillers, Casting, Deals, Noir, Scripts, Newsstand, Comic/Superhero/Geek
Few of us have had the chance to read Rick Remender's upcoming series, The Last Days of American Crime, but it's already tapped for the big-screen treatment. To sweeten the deal, American Crime already has a face. An Australian one. Mania is reporting that Sam Worthington has signed on to play the series' star criminal, Graham Brick. American Crime is set in a near-future where the government has found a way to kill the criminal impulse in its citizens. That's good for everyone but the criminals, and chaos erupts as the unsavory element goes mad trying to get in one last job. One of these men is Graham Brick, who is in the midst of planning a big heist, and gets to watch all his best laid plans fall apart in a bloody fashion. I read the preview Radical handed out at Comic-Con this year, and like all previews, it was too short to really get a handle on the story. But the art was incredible, it was ridiculously violent, and it had that slimy feeling of Sin City. You can check out three pages here, and Radical has 15 pages up on MySpace. The first issue is scheduled to hit stands in December.
Remender will be penning the screenplay himself, and Radical will be producing it under their film shingle. We'll supposedly be getting a studio, a director, and more cast-members very soon, but it's tough to get excited without having read issue #1. Still, if this is really the mix of James Ellroy and David Mamet's Heist that Remender promises, Crime will be something to look out for.
Fun or Lame: Fox's 'Bones' Becomes One Big 'Avatar' Promo
Filed under: Action, Sci-Fi & Fantasy, Fandom, 20th Century Fox, Movie Marketing, Fan Rant
I'm pretty easygoing when it comes to marketing and product placement. It's so ubiquitous that I tune it out, or laugh along when it shows up on 30 Rock. I can never really muster up the rage some viewers do when Pizza Hut, Ford, or the iPhone is prominently placed in a movie or television show. The most I'll do is roll my eyes and joke about it later on ("Did you notice that? Lame!"), because I find the big picture to be more important than some high-priced props. That is, I didn't care until Fox proudly announced that Bones will return in two weeks with an Avatar themed episode. (The promo is embedded below the jump for the curious and eager.)
Look, I get why Fox would think this was a slamdunk. It's on their network, and one of Bones' recurring cast members, Joel Moore, is actually in Avatar. I understand that the combination makes the December 3 episode of Bones prime advertising real estate. But come on! Can't you just run some flashy commercials, a new trailer, or "a special behind-the-scenes look" like you did with films back during the good old days? Doesn't anyone at 20th Century Fox wonder if it doesn't look a little desperate to coerce an entire show into the PR game? After all, Avatar was supposed to sell itself purely on the photo-real effects, the world of Pandora, and the name of James Cameron. Why do they need Bones?
More 'Thor': Idris Elba Guards the Bridge To Asgard
Filed under: Action, Casting, Paramount, Newsstand, Comic/Superhero/Geek
Asgard has just added another brilliant actor to their semi-immortal ranks. According to The Hollywood Reporter, Idris Elba has joined the cast of Thor as Heimdall, guardian of the Bifrost Bridge. He's the man you have to pass if you hope to start some stuff in Asgard, and as he's all-seeing and all-knowing, good luck trying to kick his butt.Elba's casting is undoubtedly going to cause a bit of a stir, as the Heimdall of the Marvel comics is a redhaired Caucasian. In the original Nordic myths, he was even called "the whitest of the gods" which seems like a thousand tasteless jokes in the making. (For the record, "whitest" refers to the light he emanated, not his skin color.) I imagine a lot of people are going to make those jokes, complain about things being PC, and just be very unpleasant.
But you know what? The Asgardians are gods. They can be any color they want, and should be. Marvel's Thor is also distinctly different than the original Norse myths, and I think a diverse cast is a fantastic and appropriate idea. Plus, this is Idris Elba. He's the kind of badass you want on that Bifrost Bridge, guarding the city gates, and having throwdowns with Thor. (He's always trying to prevent everyone's favorite blonde from going in or out of Asgard.) Kudos to Kenneth Branagh for recognizing that, and for creating an Ultimate Heimdall in the course of pre-production.
Sean Connery Ditches Retirement to Play ... a Skateboarding Veterinarian?
Filed under: Animation, Independent, Casting, Family Films, DIY/Filmmaking, Newsstand
Good actors never really retire, they just find new and easier ways to work. Sean Connery loudly proclaimed his intention to retire from the silver screen, but he's decided to make a bit of a return. According to The Hollywood Reporter, Connery will lend his voice to the CGI animated movie Sir Billi, an independent film created by husband-and-wife team Sascha and Tessa Hartmann. Connery is an executive producer on the project, and has been heavily involved with its production. The movie will have Connery playing "a retired, skateboarding veterinarian" who rescues an illegal fugitive who just happens to be a beaver. (I now wish this could cross over into The Beaver.) The Hartmanns have been working on the project for five years, and it's now set for a 2010 release.
The final touch is apparently a Shirley Bassey tune, and THR reports that she's signed up to record a song titled The Guardian of the Highlands for the film. Let me repeat that: Bassey singing a song called The Guardian of the Highlands. It's now my favorite song of all time, and I haven't even heard it.
So, if you've been lying awake wondering what Connery has been up to, now you know. He's been overseeing a charming Scottish cartoon, and lending his slurry brogue to a skateboarding veterinarian. But I don't this heralds a return to acting -- remember, Connery was able to literally phone in this performance and head back to the golf course, enjoying the fruits of retirement.
Does Pattinson's Edward Cullen Make Men Feel Inadequate?
Filed under: New Releases, Celebrities and Controversy, Fandom, Newsstand, Fan Rant
On the heels of speculation that Twilight was making abstinence fashionable comes a very amusing bit of hand-wringing from Details magazine. Reporting from the Ground Zero of Forks, Washington during Stephanie Meyer Day, Details discovered that it wasn't just impressionable teenagers pinning their hopes on Edward, married women were also carrying a torch for the eternal teenager: "Gentlemen, your wives have something they want to tell you. The polite way to put it is that the pressures and demands of running a home in the 21st century have a way of siphoning off the platelets from even the most red-blooded of romantic unions. To be blunt: Life is a grind, and our wives are bored sh*tless. Edward Cullen has, for millions of passion-starved better halves worldwide, become the undead embodiment of everything the contemporary schlub seems to have shed: danger, poetry, strength, speed, eternal devotion, and an insatiable hunger for the jugular."
The modern man is finding it impossible to compete with Edward, and Details worries about the erotic dreams he's spawning in married women. The magazine listens dutifully to female confessions that range from enthusiastic to cagey, and lends sympathy to the wives whose husbands "don't get" Twilight or what it provides. "But with life so crazy, this is my escape - Twilight. Edward. Men get into that comfortable rut once the relationship is there. Life gets so busy ... Men and women both, they lose that need to impress each other."
The Geek Beat: Junk Food Films
Filed under: The Geek Beat
I love to study fandom as much as I love to participate in it. The culture of obsession is a fascinating one, and as a college student I harbored delusions of grandeur that I'd be able to crack it -- and not only would I solve it, but I'd do it with a single project in American Culture I. Oh, how easy everything seems when you're 19! Obviously, I failed to plumb the depths of fandom in a single semester, and after years of trying to figure it out, the only thing I'm sure of is that everyone is obsessed with something. It might be anime, it might be the reenacting the Battle of Borodino, but everyone's got their quirk. While you may be able to make a strong case that one is a little more relevant than the other (historical reenactors do have a useful place in terms of education), but I'm not sure you can argue that one is healthier than the other. When you're obsessed, you're intense. It's ok. We all are.
One aspect of film fandom has been nagging me for some time, though, and that's the widespread devotion to bad films. I've been itching to explore it, but have found myself unable to really get the heart of it. However, the heady combination of Best Worst Movie and Troll 2 has given me a little more bravery and inspiration to try and understand just why we watch what we do.
That's a dumb question, right? We watch what we enjoy. We want to have fun when we go to the movies. But I think I speak for everyone when I say that a really good film -- a Martin Scorsese, a Darren Aronofsky, a Peter Weir -- is just as satisfying as a bit of pulpy popcorn. When I've seen something really solid and original, I walk out feeling like that was the best money I've ever spent. So why on earth do we revel in bad movies?
Jerry Bruckheimer and Disney Developing 'Alien Legion'
Filed under: Action, Sci-Fi & Fantasy, Deals, Disney, Scripts, DIY/Filmmaking, Newsstand, Comic/Superhero/Geek
Comics never really die. They become cult classics, cherished until they're revived, republished, and optioned by Disney. Such is the tale of Alien Legion, which is soon to enjoy a revival that'll have many a comic fan claiming they were there from the beginning. (I won't be one of them -- I'll openly confess that it passed me right by.)Creator Carl Potts described Alien Legion as "the Foreign Legion in space," and it's probably best described as melting pot of military and sci-fi, as Star Trek, Star Wars and The Dirty Dozen all influenced its vision of intergalactic soldiers banding together for honor, fortune, and adventure. It was one of Marvel's longest running series under their Epic Comics' banner, and it's been one that fans have continued to champion. Now it's being republished in a beautiful Dark Horse omnibus (which means out-of-the-loop losers like myself can finally read it), and getting four brand new issues from Dark Horse starting in 2010.
It's also on its way to the big screen. USA Today sat down all its creators, and Potts revealed that Jerry Bruckheimer and Disney were currently developing a feature film out of the series. Derek Haas and Michael Brandt are currently working on the third draft of the script, and Disney is undoubtedly hoping it could become another blockbuster franchise. I'd love to see the Mouse House actually develop a viable sci-fi franchise of their own, and Alien Legion is certainly a very promising series. Let's hope its cult of fans are rewarded with a good adaptation after all their years of devotion, and they don't resent the rest of us for coming to the party so late.
'Captain Nemo' Is Dead in the Water at Disney
Filed under: Action, Classics, Sci-Fi & Fantasy, Executive shifts, Disney, Scripts, DIY/Filmmaking, Newsstand, Remakes and Sequels
The klaxons are sounding for the Nautilus and Captain Nemo's origin story. Variety reports that Disney has quietly shelved the project, and McG has been released from duty in order to seek better fortune ashore. The project was scheduled to begin production this February, and was on a fast track under Dick Cook. But as you probably remember, Cook was shown the door a few months ago. Many of Disney's big projects seem to be left dangling as stars like Johnny Depp decide whether they're sailing or staying ashore. 20,000 Leagues Under the Sea: Captain Nemo is just the latest, though Disney insists big popcorn flicks will still be a focus for them.
Leagues had already been a revolving door of rumors, with Will Smith said to be in the running to play Nemo. Justin Marks was originally penning the script, but was replaced by Randall Wallace this past July. Variety reports that the project was being penned by Bill Marsilli, so presumably Wallace was off as well. While it's not unusual to have three screenwriters on a project, it doesn't sound like this submarine had a reliable captain. Perhaps the Nautilus will sail again as a proper steampunk picture that explores his romantic Indian past, and not a slapdash summerfest.
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